few posts at this time, lack of inspiration and material, it's more that I feel far from the archives. But do not worry, I'm going on stage in a big month and I intend to catch me!
This quick post to tell you a pretty good exposure, away from blockbusters Warholian, calderiens and others: The first altarpieces (twelfth - early XVth) the Louvre. Exposure model to return to the fundamentals of exposure, which I feel they are more often overlooked in favor of grandiose and Performing:
You'll understand that I am conquered. If you like a bit of the Middle Ages and carved figures, please! Visit gives a breath of fresh air after the bling-bling and the Warhol crowd of An image can hide another .
This quick post to tell you a pretty good exposure, away from blockbusters Warholian, calderiens and others: The first altarpieces (twelfth - early XVth) the Louvre. Exposure model to return to the fundamentals of exposure, which I feel they are more often overlooked in favor of grandiose and Performing:
- pedagogy: it really stands out having learned something and understood. The texts are in my opinion a true success, as cartels - developed just right;
- scientific interest and the rigor of the fit;
- observation: the balance between text and works to sharpen the observational skills of visitors without discouraging;
- the number of works: this is a show case so voluntarily restricted. However, the number of works is sufficient to illustrate this and that we can appreciate each;
- scenography discreet and sober, it never forgets it is there primarily to serve the works and is therefore perfectly in value. Ditto for lighting.
You'll understand that I am conquered. If you like a bit of the Middle Ages and carved figures, please! Visit gives a breath of fresh air after the bling-bling and the Warhol crowd of An image can hide another .
