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New Contest ...

In case you did not know it yet, the INP has recently published the list (looking for state civil service, ultimately to the local civil service) positions curators put Contest for 2009. You'll find it here .

For archivists, external competition: 6 state positions, including 2 positions Ministry of Foreign Affairs and a post FP territorial.
That seems very little in terms of needs, especially for the FPT has already been no recruitment this year. Finally, for once, other specialties do not really seem better equipped than we are.

Good luck anyway to all those preparing for the contest!

PS: The report of the 2008 was released a few weeks ago as shown here . If you do not want to buy - what we can understand - it is freely available at the center Documentation of inp!

Friends Forever Picnik Quotes

exposure model

few posts at this time, lack of inspiration and material, it's more that I feel far from the archives. But do not worry, I'm going on stage in a big month and I intend to catch me!

This quick post to tell you a pretty good exposure, away from blockbusters Warholian, calderiens and others: The first altarpieces (twelfth - early XVth) the Louvre. Exposure model to return to the fundamentals of exposure, which I feel they are more often overlooked in favor of grandiose and Performing:

• pedagogy: it really stands out having learned something and understood. The texts are in my opinion a true success, as cartels - developed just right;
• scientific interest and the rigor of the fit;
  
• observation: the balance between text and works to sharpen the observational skills of visitors without discouraging;
• the number of works: this is a show case so voluntarily restricted. However, the number of works is sufficient to illustrate this and that we can appreciate each;
  
• scenography discreet and sober, it never forgets it is there primarily to serve the works and is therefore perfectly in value. Ditto for lighting.
  

Only criticism: the geographic location of the exhibition in the museum - on the mezzanine floor of the Richelieu wing - in a sort of corridor where the passage is important. But even this drawback, the commissioners were able to play because the course of the exhibition is very clear.

You'll understand that I am conquered. If you like a bit of the Middle Ages and carved figures, please! Visit gives a breath of fresh air after the bling-bling and the Warhol crowd of An image can hide another .